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デジタルアートコンペ : Award New Media Foundation Liedts-Meesen
ベルギーの財団によるデジタル&インタラクティヴアートのコンペ。サイトの写真を見る限りではちょっと微妙かもしれませんが、お金もらえるしね。

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では興味のある方はどうぞ。
06/30 23:39 | 公募展, アーティスト イン レジデンス | CM:0 | TB:0
アーティスト イン レジデンス @The Banff Centre in カナダ
カナダのThe Banff Centreというところのレジデンスやマスタークラスなど、いろんなプログラムの応募です。

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興味のある方はどうぞ。


06/26 00:25 | 公募展, アーティスト イン レジデンス | CM:0 | TB:0
公募展 @ AC [Institute] NY
いままでは気が向いたとき、フランスやヨーロパでのレジデンスや公募展ばかりを、このブログに載せてきましたが、これからはアメリカなど他の大陸でのレジデンスや公募展も、気が向いたら載せようと思います。
でも以前のようにわざわざ日本語に訳したりはしません。レジデンスでも公募展でも、一人で辞書片手に書類を理解しようとするところから、冒険はもう始まってるわけですからね!

ニューヨークにあるAC [Institute] というところの公募展アーティスト募集です。

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Unearthed, AC Institute [Direct Chapel] - September, 2008

興味のある人はどうぞ!
06/24 20:40 | 公募展, アーティスト イン レジデンス | CM:0 | TB:0
キュレーター イン レジデンス @Schloss Ringenberg
手抜きではありません。もういちいち訳したりするのやめます。
ドイツでのキュレーター イン レジデンスです。

smax
Juli 2009 - Juli 2012

CALL FOR APPLICATIONS
CURATORIAL GRANTS

at Schloss Ringenberg,
46499 Hamminkeln (Germany)

contact:
smax.project@gmail.com
tel. 0049-2852-9229
http://www.schloss-ringenberg.de

Application deadline: 15 May 2009.



Curatorial Grants – Practice and Networking

In July 2009, the State of North Rhine-Westphalia will inaugurate a new model for promoting postgraduate curatorial work by offering a programme-based grant.

The grant provides 1,250 Euro /month in support for each participant for a period of 12 months. The curatorial grant is practice-oriented and tied in with the German-Dutch European project smax. The programme is located at Schloss Ringenberg, in Hamminkeln on the Lower Rhine.

Schloss Ringenberg has been in operation as a studio and exhibition centre for 30 years. With eight German and Dutch artist fellows per year, dialogue-focused exhibitions and cross-border knowledge exchange, along with a wealth of activities for the public, the Schloss unites under one roof in an exemplary fashion the whole spectrum of contemporary cultural endeavour.

Since 2001 the work of Schloss Ringenberg has centred on European projects involving German-Dutch cooperation. In conjunction with changing project partners on both sides of the border – including the Akademieverbund ArtEZ in Arnhem, the Museum voor Moderne Kunst Arnhem, the Kröller-Müller Museum in Otterlo, the Museum Abteiberg in Mönchengladbach and Kurhaus Kleve – the Schloss has since 2005 been providing cultural producers and mediators with the means to try out unusual contemporary art concepts and formats.

The new European project smax (2009-2012) is now carrying these promotional efforts forward with a practice-oriented model consisting of new residential grants.

For the invited curators in the cross-border region smax offers a versatile selection of concrete fields of work as opportunity to independently put their ideas into practice. In a special match situation, the participants are integrated into a cultural network that provides them with a model for the real conditions under which they will embark on their careers.

Curatorial fellows from the State of North Rhine-Westphalia will be chosen by an expert jury. Required is a completed course of studies in art history or art studies at a university in North Rhine-Westphalia, as well as demonstrated professional qualifications. The two NRW fellows will live and work for the most part at the Schloss during the 12-month grant period, together with a third curatorial fellow from the Netherlands, from the De Appel Arts Centre (Amsterdam). Residence at the Schloss and participation in smax are mandatory for grant-holders.

During the grant period, smax offers the curators:

• The opportunity to conceive and implement three art projects in the Lower Rhine region, financed through smax
• Expert curatorial guidance and moderation of the projects by the smax team at Schloss Ringenberg
• Exchanges between mediators and producers of contemporary art via artist and curatorial fellowships taking place under one roof
• German-Dutch networking and sharing of experiences through cooperation with the De Appel Curator School in Amsterdam
• Network expansion through the German-Dutch platform Schloss Ringenberg
• Programmatic drafting of mediation offers for the public, in particular for school children through coordination with German-Dutch school projects
• Publication of the projects in magazines and as a DVD collection

The grant serves to equip curators with professional credentials, including

• Developing their own criteria for the quality and relevance of artistic approaches
• Creating their own curatorial profile/ aesthetic approach
• Experience with institutional structures and practice-related processes such as mounting an exhibition, public relations, organisation and budgeting
• The ability to discriminate between artistic product and curatorial approach, leading to better comprehension of creative practice
• Potential addressees, integration of local viewer profiles

For further information and application materials: http://www.schloss-ringenberg.de
04/15 21:46 | 公募展, アーティスト イン レジデンス | CM:0 | TB:0
アーティスト イン レジデンス @Cittadellarte - Fondazione Pistoletto
久しぶりのアーティストインレジデンスの募集記事です。

イタリアはBiellaという街の、Cittadellarte-Fondazione PistolettoでのUNIDEE in Residence 2009というレジデンス プログラム。グーグルマップで見ると、ミラノとトリノの間くらいに位置する街でした。というわけで、フランスやスイスにも近い近い。

ピストレット財団という名前に?と思って検索したら、やはりアーティストのミケランジェロ ピストレットのイニシアティブによってできた組織みたいです。アートというか、クリエイティブな企画によって、社会を変えていこうじゃないか、というような指向で作られた財団。

レジデンス期間は2009年6月15日から10月15日までの4ヶ月間。
なぜビザの要らない3ヶ月じゃなくて、半年でもなくて、4ヶ月なんだろうか、という疑問は残りますが、一年で一番よい季節をイタリアでかー!と妄想が広がります。別に私はアーティストじゃないから応募もしないけど、是非いつかここに行ってみたいですねー。

サイトを見ていたら、「うわー、頭のめちゃくちゃいい人ばっかりが集まって、私にはよーわからんことばっかり朝昼晩しゃべって、プロジェクト作るっぽいなー。」と思いましたが、レジデンスのアーティスト募集のメールの文章は、すごく読んでる方が「参加してみたい!」と思ってしまうような、うまい書き方がしてありました。下に載せておきます。ま、私だけかね?これ読んでそう思うの。


応募のデッドラインは2009年2月28日の消印有効です。イタリア人が消印をしっかり見るとはあまり思えないですが。

詳細はこちらのサイトからどうぞー。

っていうか、ここに載せるの遅くてすいません。

どうぞよろしく。


にほんブログ村 美術ブログへ



They arrive at UNIDEE in the middle of June. _They begin to question, to look around, to inquire. _They observe you with eyes in stereovision; one eye keeps close watch, the river rushes by at the foot of Cittadellarte, the textile factories, the city of Biella extending up into the mountains and its social fabric and cultural institutions. The other eye looks into the distance, watching the world, their own city woven by its inhabitants, living organisms and institutions, and the planet itself immersed in one grand illusion.

They want to understand what this Cittadellarte is. They have their own Cittadellarte in mind, maybe a rough sketch, an idea, or a dream. They will talk about it and discuss at length, filling these spaces where textiles were once produced with the energy of the water, enterprise, and the labour of an entire generation.

They are artists, curators, managers of socio-cultural projects; perhaps all these roles together. They question, try to understand and then act; producing ideas, elaborating on them and discussing their thoughts. They develop these thoughts into working plans, projects, and then transforming them into a concrete practice. They are activators of creative processes for social responsible change.

They live in Cittadellarte, day and night. They have their private room, but the workspace is open and common. The experience is shared in a group of 20 young people from various cultures, together they form a micro-society.

Then in the middle of October the residence concludes. But the University of Ideas continues and changes course. They return to their epicentre where they input their accumulated potential, no longer alone but rather participating in a global movement that advances as one tide; gaining energy from the everyday practice and work of tens, hundreds, and thousands of individuals and organisations.

It is in their epicentre where they can get engaged rather as activators than as individual artists or curators. Where they can step in the game interacting with existing structures, or creating new initiatives, while giving rise to their own Cittadellarte.
02/11 22:02 | 公募展, アーティスト イン レジデンス | CM:3 | TB:0
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